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Tekfur Sarayı (Palace of the Porphyrogennetus)

Συγγραφή : Chatzopoulou Dimitra (29/1/2008)
Μετάφραση : Loumakis Spyridon

Για παραπομπή: Chatzopoulou Dimitra, "Tekfur Sarayı (Palace of the Porphyrogennetus)",
Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Κωνσταντινούπολη
URL: <http://www.ehw.gr/l.aspx?id=11750>

Τεκφούρ σαράι (To Παλάτι του Πορφυρογέννητου) (26/1/2012 v.1) Tekfur Sarayı (Palace of the Porphyrogennetus) (26/1/2012 v.1) 
 

1. Presentation of the monument

1.1. Identity of the monument

Tekfur Sarayi, the so-called “Palace of the Porphyrogennetos”, is the latest palace of the Byzantine Constantinople still preserved.1 During the period 1959-1965 restoration works were carried out on the building; extended repairs took again place in 2006. Today it has been characterized as an area of archaeological importance, which can be visited along with the walls of the city and the Chora Monastery. The importance of this building is exceptional for the research, since it provides evidence for the imperial residence of the late Byzantine period.

The tradition connects this monument with the so-called “Palace of the Porphyrogennetos”. In late Byzantine sources the house of an anonymous Porphyrogennetos (mean. Purple-born) is mentioned. Better known is the name Tekfur Sarayi, which has been widely used since the 17th century and thereafter. The origin of its name could have been Greek (from the expression «του κυρίου»), Armenian (from the word «thakauůr», which means «basileus») or Persian (from a word translated as «the one who bears the crown»).2

1.2. History of the monument

At one time, the erection of the palace was believed to date to the 10th century, in the years of Constantine VII (Porphyrogennetos) (912-920/944- 959). Later it was considered to be the residence of Constantine Porphyrogennetos, third son of Michael VIII Palaiologos (1261-1287), and its construction was placed between the years 1261 and 1271, a period during which the Blachernai palace was renovated.3 Nevertheless the wall masonry and its morphological elements point towards a later dating, in the 14th century.

During the Ottoman period the palace ceased to function as a residence. At the end of the 16th century it was used as menagerie by the Ottoman sultans. Because of the kiln excavated at the site,4 it is believed that in the 18th century a ceramic workshop was established there, which later functioned as a glass-works. In the 19th century the structure accommodated part of the Jewish community of the city.

1.3. Location

Tekfur Sarayi stands on the northeastern corner of the old city of Constantinople, at the north end of the land walls of Theodosios II, on the level of Xylokerkos (see map of fig. 1). To the north of the palace started the wall of Manuel I Komnenos (1143-1180), whereas to the south the palace was attached to a tower of the Theodosian fortification, repaired in the 12th century.5 The vicinity of Tekfur Saray with the Blacharnai palace led, incorrectly, some researchers to identify the two monuments as one.6

2. Architectural description

2.1. Outer facade

The palace of the Porphyrogennetos is a trapezoid-shaped three-story building with a courtyard, which bears similarities in the arrangement with the south wing of the palace of Mistra, whereas its morphology resembles similar buildings of the West.7 It belongs to the type of tower-like palace, with strong fortification. Notably the western façade of the palace, with few windows opened, was reinforced with a tower at the west side of the Xylokerkos Gate (fig. 3), since it was more vulnerable to enemy attacks.8 The masonry of the palace consists of courses of finely dressed, rectangular stones, alternated with triple courses of brick stones. On the double arches of the windows pieces of colored marbles alternate with triple brick stones (fig. 5 and 6).9

2.2. Internal arrangement

The internal arrangement of the monument is not preserved, the vaultsof the ground floor and the floors of the two stories have collapsed. Information about it we derive from the drawings of C. Texier and W. Salzenberg.10

On the ground floor, six columns supported eight circular vaults and a narrow semicircular vault on the back side, via relieving arches.11 The north side of the ground floor communicated with the courtyard, through four arcaded openings (fig. 2). The arches rested on a central, cross-shaped pier, which was framed with two pairs of columns and two subsidiary pilasters. From the twine columns are still preserved the drawings of two capitals, which were spolia. The theodosian capital with the rosettes is dated to the middle Byzantine period, whereas the composite Corinthian capital goes back to the 3rd to 4th century.12

The first storey had at least three rooms, as it is discerned from the surviving traces of the separating walls. Access to the upper storey was provided by a steep ramp from the rampart of the outer defensive wall. On the north façade (fig. 2) were created arcares, in full match with the openings of the ground floor, pierced by smaller, arched windows.13

The second, timber-roofed, storey must have been undivided, with one conch for the throne in the middle of the south side. On the north façade double arched windows were opened, in mismatch with those of the lower storeys.14 Two balconies were formed on the southern and on the eastern side. The way of communication between the two upper storeys is still unknown.

2.3. Decorative elements

Tekfur Sarayi presents common decorative trends with Constantinopolitan monuments of the 14th century, such as the church of Saints Theodoroi, the chapels of the church of Pammakaristos and of the Chora Monastery.15 Ceramoplastic decorative patterns carry the north façade of the palace, the lunettes of the arches, the interfenestral spaces and the continuous frieze (fig. 5 and 6). Rhombus, chess-shaped decorationand crosses are formed. It is possible that there were as well shields carrying the symbol of the four Sigma ( = the letter “С”), that some believe to be the monogram of the Palaiologoi house. The decorations were only covering the outer surfaces and tend to easily come off.16 On the balconies, the rain gutter ends were shaped in the form of lion heads.17

1. Μπούρας, Χ.Θ., Ιστορία της Αρχιτεκτονικής, Αρχιτεκτονική στο Βυζάντιο, το Ισλάμ και την Δυτική Ευρώπη κατά τον Μεσαίωνα Β΄ (Athens 1999), p. 404.

2. Late Byzantine sources mention the “house of Porphyrogennetos”, cf. Κριτόβουλος Α. 27.3. The same author reports as well the name Tekfur Sarayi, as a location where the Turkish troops encamped during the siege of 1453; see Van Millingen, A., Byzantine Constantinople, The Walls of the City and Adjoining Historical sites (London 1899), p. 109, and Ahunbay, M., “Tekfur Saray” in Curcic, S.–Χατζητρύφωνος, Ε.(ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p. 248. For the etymology see Van Millingen, A., as above, p. 109, and Meyer-Plath, B. – Schneider, A.M., Die Landmauer von Konstantinopel (Berlin 1943), p. 96.

3. Van Millingen, A., Byzantine Constantinople, The Walls of the City and Adjoining Historical sites (London 1899), pp. 110-113.  Mango, C., “Tekfur Saray”, in Kazhdan, A.(editor-in-chief), The Oxford Dictionary of Byzantium 3 (Oxford – New York 1991), p. 2022.  Ahunbay, M., “Tekfur Saray”, in Curcic, S.– Χατζητρύφωνος, Ε.(ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p. 248. Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archaologischen Instituts 80 (1965), pp. 334-335.

4. Ahunbay, M., “Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε.(ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p. 250.

5. Ahunbay, M., “Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p. 248.

6. Meyer-Plath, B. – Schneider, A.M., Die Landmauer von Konstantinopel (Berlin 1943), p. 96.

7. See Ορλάνδος, Α.Κ., «Τα παλάτια και τα σπίτια του Μυστρά», Αρχείον των Βυζαντινών Μνημείων της Ελλάδος 3 (1937), pp. 50 -51? Mango, C., “Tekfur Saray”, in Kazhdan, A.(editor-in-chief), The Oxford Dictionary of Byzantium 3 (Oxford – New York 1991), p. 2022. Western architecture had infiltrated in the dominion of Byzantium already since the 13th century; see Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archaologischen Instituts 80 (1965), p.334. Krautheimer, R., Παλαιοχριστιανική και Βυζαντινή Αρχιτεκτονική, Μαλλούχου-Τουφάνο, Φ.(trans.) (Athens 1991), p. 551. Μπούρας, Χ.Θ., Ιστορία της Αρχιτεκτονικής, Αρχιτεκτονική στο Βυζάντιο, το Ισλάμ και την Δυτική Ευρώπη κατά τον Μεσαίωνα Β΄ (Athens 1999), p. 404.

8. Ahunbay, M., “Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p. 241. Van Millingen, A., Byzantine Constantinople, The Walls of the City and Adjoining Historical sites (London 1899), p. 111. Mango, C., “Tekfur Saray”, in Kazhdan, A.(editor-in-chief), The Oxford Dictionary of Byzantium 3 (Oxford New York 1991), p. 2021.

9. Ahunbay, M., “Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), pp. 248-249. Krautheimer, R., Παλαιοχριστιανική και Βυζαντινή Αρχιτεκτονική, Μαλλούχου-Τουφάνο, Φ.(trans.) (Athens 1991), p. 550.

10. Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archäologischen Instituts 80 (1965), p. 330.

11. From the columns is still preserved only a fragment of the original capitals, see Ahunbay, M., “Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p.248. For the rest of the architectural elements see Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archäologischen Instituts 80 (1965), pp. 330, 333, and Feld, O., “Zu den Kapitellen des Tekfur Saray in Istanbul”, Istanbuler Mitteilungen 19-20 (1969-70), pp. 359 -367.

12. Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archäologischen Instituts 80 (1965), p. 330, 333, and Feld, O., “Zu den Kapitellen des Tekfur Saray in Istanbul”, Istanbuler Mitteilungen 19-20 (1969-70), pp. 359 -367.

13. Ahunbay, M., “Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p.248.

14. Ορλάνδος, Α.Κ., «Τα παλάτια και τα σπίτια του Μυστρά», Αρχείον των Βυζαντινών Μνημείων της Ελλάδος 3 (1937), p.51. Ahunbay, M., “Tekfur Saray”, in Curcic, S. – Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p.248. Van Millingen, A., Byzantine Constantinople, The Walls of the City and Adjoining Historical sites (London 1899), p.111. Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archaologischen Instituts 80 (1965), p. 330,

15. Βελένης, Γ.Μ., Ερμηνεία του Εξωτερικού Διακόσμου στη Βυζαντινή Αρχιτεκτονική (Thessaloniki 1984), p. 165 note 1. Krautheimer, R., Παλαιοχριστιανική και Βυζαντινή Αρχιτεκτονική, Μαλλούχου-Τουφάνο, Φ. (trans.) (Athens 1991), p. 551. Ahunbay, M.,“Tekfur Saray”, in Curcic, S.–Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), P. 249. Μπούρας, Χ.Θ., Ιστορία της Αρχιτεκτονικής, Αρχιτεκτονική στο Βυζάντιο, το Ισλάμ και την Δυτική Ευρώπη κατά τον Μεσαίωνα Β΄ (Athens 1999), p. 404.

16. Βελένης, Γ.Μ., Ερμηνεία του Εξωτερικού Διακόσμου στη Βυζαντινή Αρχιτεκτονική (Thessaloniki 1984), pp. 163, 170· Krautheimer R., Παλαιοχριστιανική και Βυζαντινή Αρχιτεκτονική, Φ. Μαλλούχου – Τουφάνο (trans.) (Athens 1991) p. 550· Ahunbay, M., “Tekfur Saray”, in Curcic,  S. – Χατζητρύφωνος, Ε. (ed.), Κωνσταντινούπολη, Τουρκία, Κοσμική Μεσαιωνική Αρχιτεκτονική στα Βαλκάνια 1300 – 1500 και η Διατήρησή της (Thessaloniki 1997), p. 249. Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archäologischen Instituts 80 (1965), p. 330· Van Millingen, A., Byzantine Constantinople, The Walls of the City and Adjoining Historical sites (London 1899), p. 113.

17. On the drawings of Salzenberg, the rain gutters are shaped in the form of other animals as well, such as eagle heads and ram heads; see Salzenberg, W., Altchristliche Baudenkmale von Constantinopel (Berlin 1854), Mango, C., “Constantinopolitana”, Jahrbuch des Deutschen Archaologischen Instituts 80 (1965), p. 333.

     
 
 
 
 
 

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